It’s second time around and still loving it, the movie and ofcourse the men behind the song. Men ? The man who asked for it and the man who actually made it happen.
It’s second time around and still loving it, the movie and ofcourse the men behind the song. Men ? The man who asked for it and the man who actually made it happen.
I admit, I’ve been excessively obsessed with this song. Partly because I think Selvaraghavan made a crappy video of a cool song. The camera and Ravi Krishna eyes are fixated on Sonia’s bosom and I think thats a cheap thing to do, given the realistic lyrics and a great rhythm.
I propose someone to re-shoot it and make a pretty good video. Maybe with available resources, I would even re-shoot it myself at Seattle and edit it using Final Cut . Imagine this, as the electric guitar plays, a tall desi guy with a hooded black t-shirt, the mountain ranges on the backdrop, walks on a bridge while its raining. Cut it to a mall, a desi girl with her American teenage friends, walking past this chap with a wink in her eye, eating baskin robbins. Cut back, to the raining bridge. Cut again to wide angle shot, the guy walking on the alki beach with a backdrop of seattle downtown. I’m sure it will do justice to Yuvan’s cool beat. Some day…
In this week’s Vijay TV Super Singer, the lifeline round brought in 5 contestants who were eliminated or who dropped-off due to personal reasons. It included Harish, Sowmya, Archana Iyer, Nitinraj and Vijay. Vijay seems to be the most luckiest than anyone in this competition. He was eliminated thrice in the prelims but managed to get back into competition because someone else dropped off. Also his singing gets better as the rounds proceed. Couple of weeks back when he sang, Illamai Itho with an intonation of a drunkard, I whistled from the living room.
The lifeline round was judged by the public voting method. So each contestant were given a number, and the viewers dialed-in or sms-ed to register their vote. One out of these five contestant was to be selected and others would get eliminated. Here’s what happened -
- Sowmya sang her best song to date, Konjam Nilavu. And she rocked. Personally after Swathi, Anitha and Maya, Sowmya is also one of my favorite among the females. Earlier to this round she was eliminated and was brought-in by voting system of the previous round. Konjam Nilavu is a tough song to sing on stage. I dont know if Anupama also sang it in one shot during the recording. Neverthless its a song that allows you to travel through your pitches. Especially the lines, Enn Pirandhen Endra Kaelvi Vaarathu. Ingu Nee Irundhaal Athu Konjam Meerathu. Vandu Naaaan…, calls for a versatile singer. And I think Sowmya did a fairly good job. The most important thing was that her lyrics were clearer than the original version rendered by Anupama.
- Harish Sivaramkrishnan, who dropped off due to his official work came back with a wildcard entry. He sang the Ennavaley Adi Ennavaley. Ofcourse Unnikrishnan was there judging him. And did a very good job by singing it one pitch lesser than the original. In the original version, Unni Krishnan picks it up at a higher pitch, making the words sound lighter and also resembling a female intonation. But I loved Harish’s version. And I’m sure he is going to be tough to compete with if he enters the finals.
- Vijay, who stormed back into the contest with his drunkard version of Illami Itho, took a melodious number this time. He sang Nilaave Vaa from Mouna Raagam. Except for some places where he experimented he sang exactly the SPB version. And he did it perfectly well. Some place I thought they played a back-up tape of the original for him. While he was fine, I think he has strong competition from Sowmya and Harish to reach the finals.
- Archana Iyer, who also dropped-off in the previous rounds due to her exams came back with her favorite, Thoodhu Varuma. And yeah an OK job. Ofcourse, she sang it in her own style which is appreciative but the flavor of the song suffered because of that. Neverthless it was a decent attempt with original style.
- Nitinraj, whom I thought didn’t have enough versatality did a super job yesterday with his version of Kanaa Kandenadi from Parthiban Kanavu. And he did it really well that I had to change my opinion on him. He might be a strong contender for the finals.
The finals team has 4 contestants - Anitha, Maya, Nikil and Goutam. One out of these 5 lifeline contestants will join them. And its going to be huge show for the rest of the weeks at Vijay TV’s Super Singer.
Association for India’s Development – San Diego Chapter
proudly presents
Indian Ocean - An evening of rich indian music infused with western rock and jazz
When:
Aug 13th Sunday, 5:00pm-7:30pm
Where:
East County Performing Arts Center
210 East Main Street,
El Cajon 92020
Google Directions
Tickets:
Advance : $20,$30,$50
At the gate: $25, $35, $55
Donor Tickets: Suggested minimum $100
Tickets available online
Contact :
Sandiego Aid India
concert_aidsd@yahoo.com
858-437-1423
Indian Ocean is a contemporary fusion music band of Northern India. Some music critics describe the Indian Ocean music as “Indo-rock fusion with jazz-spiced rhythms that integrates, Sufism, shlokas, environmentalism, mythology and revolution”. Their music blends with different cultural boundaries and echoes the distant folk music that still prevails in rural India. The lyrics celebrate individuals journey to transform the self and collective struggles to change the world to a better place.
Indian Ocean has performed over 250 accomplished concerts across the globe in the past 15 years. In 1999, the band was honoured to perform for the President of India at Khajuraho Millennium Concert. They were selected ” Pick of the Fringe” at 2001 Edinburgh Fringe Festival. They have successfully toured across the globe and have performed at India Festival in Singapore, Melborne Arts Festival, New Zealand International Festival, Folklife Festival at the Smithsonian in Washington DC, Trafalgar Square in London and Indo-Pakistan Amity Concert at MIT.
Indian Ocean, Kandisa, Desert Rain, Jhini and sound track for Black Friday are their recorded albums. Jhini received AV Max award for the Best Produced Album in India. The group also featured as Artists of the Month on MTV in May 2006.
AID is a US based non-profit volunteer movement committed to promoting sustainable, equitable and just development in India. Donations to AID are tax-deductible in the USA where it is registered as a 501(c)(3) non-profit charity. For more information, visit www.aidindia.org
All concert proceeds go towards developmental activities in India.
[Invite sent to me by Capriciously Me].
Has anyone turned a listening ear to Yuvan’s remix of Kalyanaraman’s Ahaa Vandurichu for Vallavan. While its a so-so remix it’s spiced up with 50 Cent’s In Da Club and folky dandanakka that reminds of Rahman’s Errani Kurrani Gopala. Above that what makes this remix interesting is the original song. Reminds us of how we much we miss Illayaraja. Instead of Malayasia Vasudevan who performed the original, this remix version is sung by Simbhu himself. I should say I’m impressed more than what I expected.
Loose Pennae…Loose Pennae is also well sung and orchestrated. This one reminds me of KK’s rendering of Kaathal Valarthen in Manmadhan. There is an original and remix version for this number. The original version is slow and is probably the best of all the numbers in the movie. This one is also rendered by Simbhu. Again, a good number with some naive lyrics. It’s actually those naive lyrics that adds color to this song. Blazee is becoming stereotypical. But atleast in this his number, his rap actually gels with the song.
You gotta listen to both the numbers to believe what I just said. Here you go.
K.V Bharat’s portal on A R Rahman named Rahman Times is up and running from today. Do grab a look. Via Radha Krish.
Yet another show on the American Idol format. First it was Indian Idol and now it’s Vijay TV’s Airtel Super Singer contest. The winner of this super singer contest will get a chance to sing for Harris Jayaraj. The show runs from 8 pm every friday and saturday on Vijay TV.
Believe me this show is good. Just damn good. Not because this show is about music but the tamil touch to this international format is just exciting. And we have some super dooper singers amongst us.
The other day, a participant named Gowtham sang, Rahman / Hariharan’s Malargale song. I haven’t heard such an amazing control like that from an amateur singer. Nice balance and amazing sangathis. If one was watching this from the first week, they would understand how many singers we have in the country. Though the first round participants included many weirdos, atleast half of the crowd was nice stuff. As of now, the contest is on the fourth round with 20 or 24 contestants. And as it moves forward, its going to be more interesting.
In the initial rounds, the judges included SP Sailaja, Sreenivas, Maalathy and many others. After prelims it’s Anuradha Sriram, Sreenivas and Unni Krishnan. While its a nice trio, Anuradha seems to be too bossy and wouldn’t allow the other two to do the talking. I’m sure someone would let her know as the show moves on.
Instead of a screwed up film review or a kadi serial, I prefer to spend two hours a week for some nice music contest. Worth the time spent. With such shows, Vijay TV is slowly becoming the best channel for true entertainment. Two years from now, I would expect Vijay TV not to top prime time TRP ratings but to a gather a loyal viewer base.

[Source - IBN Live]
Rajeev Masand: We know that Mani Ratnam has been an influence and a mentor. While you were doing ad films, he offered you Roja and most of your best work has been with him. Tell us as to what kind of relationship do you share with him. Is it something apart from just the director-composer relationship? Are you two friends? Do you hang out outside the studio?
A R Rahman: We don’t hang out much (laughs). What is really a relationship? A relationship means the first good experiences, like first love and you always remember that. He picked up the best out of my work and said, “This is you.” He was the first one who gave me a good work. For us, it’s been a challenge to cross each thing from Bombay to Iruvar. Whenever we sit, we don’t talk about old things, rather we try sharing a new frequency to create the same magic again.
This is one heck of a not-to-miss Rahman interview[Via Ajay]. Truly. IBN’s interviewer Rajeev Masand has done a good job by not asking those cliched questions again. Instead, I found some important questions asked, probably for the first time to Rahman. Though Rahman manages to keep out of controversial ones with a practised ease.
If you are a Rahmaniac, you should read this one, without a question. .

malarndhum malaraadha paadhi malar poala
malarum vizhivannamae - vandhu
vidindhum vidiyaadha kaalaip pozhudhaaga
vilaindha kalaiyannamae
nadhiyil vilaiyaadi kodiyil thalaiseevi
nadandha ilam thenralae - valar
podhigai malai thoanri madhurai nagar kandu
polindha thamizh manramae

malarndhum malaraadha paadhi malar poala
malarum vizhivannamae - vandhu
vidindhum vidiyaadha kaalaip pozhudhaaga
vilaindha kalaiyannamae
nadhiyil vilaiyaadi kodiyil thalaiseevi
nadandha ilam thenralae - valar
podhigai malai thoanri madhurai nagar kandu
polindha thamizh manramae

yaanaip padai kondu saenai pala venru
vaazhap pirandhaayadaa puviyaalap pirandhaayadaa
aththai magallai manam kondu ilamai vazhi kandu
vaazhap pirandhaayadaa vaazhap pirandhaayadaa

aththai magallai manam kondu ilamai vazhi kandu…
aththai magallai manam kondu ilamai vazhi kandu
vaazhap pirandhaayadaa

thangak kadiyaaram vaira maniyaaram
thandhu manam paesuvaar porul thandhu mannam paesuvaar
maaman thangai magalaana mangai unakkaaga
ulagai vilai paesuvaar ulagai vilai paesuvaar
maaman thangai magalaana mangai unakkaaga…
maaman thangai magalaana mangai unakkaaga
ulagai vilai paesuvaar

nadhiyil vilaiyaadi kodiyil thalaiseevi
nadandha ilam thenralae - valar
podhigai malai thoanri madhurai nagar kandu
polindha thamizh manramae

siragil enai moodi arumai magal poala
valarththa kadhai sollavaa
kanavil ninaiyaadha kaalam idai vandhu
piriththa kadhai sollavaa…
piriththa kadhai sollavaa

kannil mani poala maniyil nizhal poala
kalandhu pirandhoamadaa - indha
mannum kadal vaanum maraindhu mudindhaalum
marakka mudiyaadhadaa uravaip pirikkamudiyaadhadaa

anbae aariraaraaroa aariraaraaroa aariraaraariroa
anbae aariraaraaroa aariraaraaroa aariraaraariroa
Images : Paasamalar video
Lyrics - Music India Online
Shot 45 years back, this is still the most perfect song ever shot for a tamil film. And then there is Pachai Niramey from Alai Paayuthey.
From the camera to editing to lyrics, music and performance, just about everything dazzles here. A classic example of aaberi raaga which has created magic in just about every song it has been used, on-screen.
Anytime Pasamalar is played on cable, the whole of Tamilnadu starts to shed a tear. A classic, it really is.
Karka Karka song from Vettaiyaadu Vilaiyaadu sounds pretty good than the initial hearing, alongwith the trailer. Fabulous selection of the percussions especially when you listen through the car deck. And the point where the long shout of than saavai sattai payil vaithu engeyum selkindraan… merges with the music is a sure thrill. The rap by itself sounds much much better than the trailer. The male voice that creeps inbetween by singing nara vettaigal vettaigal aada, I think its Nakul or Tippu really spoils the whole show. Extremely feminine and doesn’t gel with the whole macho wordings in lyrics.
BTW, am I just the one who’s totally bored of having songs that ‘talk’ about our hero’s super-hero capabilities. Especially if its a Kamal movie. This song Karka Karka seems to talk about Raghavan a tough cop and his macho capabilities. The last time there was such a song on Kamal was for Panchathanthiram. Rajini is an exception, sometimes Vijay is also fine because he has managed to do it well. With Vijaykanth, I’m frustated because there is no variety and he usually walks in a thiruvizha with a maalai around his neck. You too Gautam ??