[From - Economic Times]

I’m not a full-fledged Times of India group basher. But this was the first headlines of today’s Economic Times. I had no idea when I saw this title up there until I read the article which the headline linked too, Western bros are aping your grandfather’s sex skills.

[From - Times of India]

As I jumped from there to read Times Of India, I get to see this and this on the headlines there.

While agreeing with the content of these articles or not, is a different issue. But these are certainly not the kind of headlines that one looks for, first in the morning, that too in a national/financial newsdaily. Agree ?

I’m car shopping busily and it sucks big time. I have no idea why desis push other desis, infact torture them until they accept, to only buy Honda or Toyota.

For the money that I’m investing, to get a ‘dubba’ 95′ Honda with manual windows and coffee stained back seats, I can get a slick 2001 Dodge Neon or a ultra equipped 2000 Mercury Mystique clad in leather seats and 4 disc changer attcahed to 6 Bose speakers. I know that these cars might lose their values soon but why should I end up rotating the windows when I have a choice to click a button to make them go up/down.

Oh !! yeah, I love Honda Civic and that’s like the ideal middleclass vehicle. It’s like buying a Kinetic Honda or Hero Honda Splendour back in India. As days go by, I’m petrified to even look at other cars also. It’s like wearing a blind-fold from the minute and finding my way through fellow dudes.

Seattle’s used car market is huge and costly too. Unlike the lazy/pleasant lifestlye, the car market is busy. The cars come and go in no time. So the minute you narrow down on the car and try visiting the car on the weekend, there are couple of others who want to test ride the car there and you end getting fed up by competition and come back after eating masala dosa in Redmond’s Namaste.

Back to the honda syndrome, the minute I start describing the nice Mustang, I got to see/ride, my friends would go busy saying,”Thuddu waste da. Onnu Honda/Toyota vaangu, illaena kamunu engakuda bus’la vaa”. To run from them, can someone help me with escape velocity ?

[Pic - NY Times/MTV Desi]

When MTV Desi starts airing Indian music for desis[second-generation immigrants from the Indian subcontinent as described by NY Times], we can believe music of Rahman and his types, will get a wide opening to the mainstream music in America. The musical boulevards of LA will await them to come over and render soul searching, foot tapping, IPODish numbers only to get the American musical industry, another addition to their genre list, Indie music.

While I’m positive about the music from peninsula will have a positive honeymoon with the american youth for the first few days, it remains to be seen, that some of our manufactured filthy music and annoyingly explicit copycat versions of ‘Cotton Eye Joe’ and ballards of Richard Marx, don’t get aired through MTV Desi. It’s time to spice-up the music album scenes in India. The hindi pop has already come of age and hence MTV wants to get them aired across America. I am personally not a great fan of Indie Pop because I think there is enough trash alongwith some good ones.

The media in US is already mis-understanding any product as a bollywood piece, Tamil will have very less role to play in this hungama. The Tamil pop music has already died with Suresh Peters’ last album, it’s time Yuvan and his teammates rise up to occasion and start delivering tamil music albums. I would be more than happy if Suresh Peters would come back. Even if we have some good albums in Tamil coming out because of this move from MTV Desi broadcast, tamil music lovers will be happy to resurrect a bygone genre.

More on MTV Desi in NYTimes article, I Want My Hyphenated-Identity MTV [need userid/pass]. Link Via Tilotamma.

[Pic - News Week]

Question - It’s been 30 years since “Jaws.” You’ve achieved every measure of success. What keeps driving you to make movies?

Spielberg - I’ve often asked myself that question, and my answer comes back the same way every time: I love it. Being a moviemaker means you get to live many, many lifetimes. It’s the same reason audiences go to movies, I think. When my daughter Sasha was 5 years old, we would be watching something on TV and she’d point to a character on screen and say, “Daddy, that’s me.” Ten minutes later a new character would come on screen and she’d say, “No, Daddy. That’s me.” Throughout the movie she would pick different people to become. I think that’s what we all do. We just don’t say it as sweetly.

Seems like a Deja vu. I’ve posted Steve’s view of filmmaking, before. This time its reasoning out the filmwatching experience in the interview to Newsweek.

This is Steven Spielberg’s honeymoon with the media. Just when his movie’s post-production is all done and he is waiting for the verdict, he loves to talk to the media. A little hype, for his latest film, may be behind these interviews but what comes out are some amazing quotable quotes.

Nope this is not about Parthiban’s Houseful. That was a gem. Outlook’s note on how multiplexes are re-defining the meaning of houseful, in this not-so-interesting article, is interesting.

Strangely, alongwith the outsourcing stuff, we are also inheriting the Hollywood’s way of movies in India. Bollywood with it’s wider audience, is obviously the first market to catch the trend of opening weekend box-office. The article lists numbers that clearly show how producers/directors are more interested to grab the eyeballs during the opening weekend rather than relying on repeat audience or deferred success.

The other pleasant/unpleasant is the audience segmentation. It’s a long awaited wish to have more movies made specifically for genres. For years, Indian cinema has been a one-stop-shop for all types of entertainment. It had a family drama, a steamy romance, a touching sentiment and moving saga. But as the example on the article quotes Kya Kool Hain Hum, a supposedly mega-hit of the year, wasn’t an all-in-one fare. It was targeted the youth and despite being a super-hit, the movie only reached it’s targeted audience. Such segmentation is certainly a welcoming move but it’s harmful too. Too many movies for the urban youth will just endup as a saturated market, after a year. Just like what happened during the late 90’s in kollywood. With Agathiyan’s Kaathal Kottai, innumerable movies of were produced as variances of the movie only to tire the audience after a year.

From the article, Housefull! (But… Kitne Aadmi Thhe?)

In a nutshell, there are far more avenues to catch a film and that has led to a concomitant reduction in crowds at any one theatre. The same number of people can now view a film in a week as would have earlier in a month. No wonder, most films are making money in the very first week itself, at times just the first weekend is enough to recover the cost of a film. “What a film makes in 15 days today is as good as what it used to make in 15 weeks earlier. The duration of the a film’s run may have declined but the collections have risen,” claims Mehta.

Blogs made a headstart over main stream media because of the personal voice they had in every single blogpost. In the process of getting wider audience and millions jumping into the blogging badnwagon, if they end up being badly written, poorly gestated trashes of email driven culture, someone has to take note of such blogs and vrooooomm !!

- Thumbi, the MP(D) of lazygeek

[Pic - Frontline]

Reading this quasi-review Matrubhoomi directed by Manish Jha, I’m pushed to look out for the availability of the film in video stores around me. While most science fictions deal with gizmos and fanatasy stuff, here’s a sci-fi with a social sense.

From what’s been written, the movie could also end up as yet another message movie. It’s the premise of the movie excites me for this is what is expected from our folks at woods of India. Also the note that Jha, the director of this movie had already won a Prix du jury at Cannes his feature, for A Very Very Silent Film, makes me have high regard on his abilities as a director.

From Frontline -

Futuristic films are supposed to be an escape into fantasy, even if they do make passing or pointed references to current attitudes and cultural fashions. They are usually not grounded in current social reality - a reality rooted in centuries of accumulated prejudice and burdens of history. Jha’s film is more a doomsday warning - of the approaching apocalypse of moral collapse and sexual depravity caused by selective decimation of women - than a futuristic sci-fi scenario. The film describes the nightmare of what happens to a society that systematically kills girls - after they are born, if they have not been finished off in the womb itself. Our past foretells the future. The past Jha resurrects is from the Mahabharata, of a Draupadi married to five brothers - in this case, not out of the choice of a swayamvar but because there is a dearth of brides in a sex-starved patriarchy. Will this enhance the value of women and the girl child? So the proponents of sex-determination tests would have you believe, as they try to offer a sociological rationale for the morally indefensible practice of selective abortions.

His short A Very Very Silent Film (a pavement dweller is raped through the night by the many passers by till it is discovered to be a corpse the next morning) won the Prix du jury at Cannes in the year our media went gaga over Devdas (ignoring the quickly emptying halls) to the exclusion of everything else - including the arrival of a major new talent.

In the case of new films, the ban would be subject only to some rare situations such as the treatment of historical personalities known to smoke, and period films. Also, it would be allowed as part of social messaging against smoking itself. As for old films, due to technical difficulties, it was agreed that instead of a prominent scroll containing a health warning accompanying smoking/tobacco-using scenes, theatre owners would have to show warning slides.

What else to say of this. I remember a short story which a friend of mine shouted over my shoulder while biking on GST. A greedy disciple wants a boon from his guru while leaving for his hometown, after schooling. The guru understanding the covetousness of his disciple, plans to whack him smoothly. As the disciple asks,” I need a magical power that would give me whatever, when I think of it”. The guru says,” Given. But whenever you are using the power, you shouldn’t think of a monkey”. The disciple thinks,” I need a ton of gold and yeah !! I am not going to think of a monkey”. Whacked !!

Similarly during a smoking scene in the movie, if they are showing the scroll, Cigarette smoking is injurious to health, our friend would get reminded of the single cigarette left in his pocket an walk out of the movie hall, to smoke. Aren’t you LYAO ??

[From Slate]

It’s the summer movies week at Slate and to celebrate the block busters releasing this summer they got their dudes to write some hot gossip. With George Lucas’ Star Wars already taking a box-office by storm, StevenSpielberg’s sci-fi thriller War of the Worlds is set to rock the theatres by June 29th. To cook some masala here is pretty easy. They do it pretty well in this article named, Lucas vs. Spielberg - The worst best friends in Hollywood.

Not just gossipy but this story seems to have some really interesting trivias on the duo. If you are a fan of atleast one of them, you would read it without taking a breath. If you love both, it is a treasure because the kind of stuff is said seems pretty true. I don’t think Slate can just bluff like this in public space. It talks about the outwardly friendship and the true inside competition that goes on between Steven Spielberg and Lucas during their movie releases. Steve seems to admire Lucas so much from his debut film, THX 1138. And Lucas seems to be extremely aware of the sharp director in Steve right from his first tele-film, Duel.

Spielberg—it was revealed—had lent a helping hand to the climactic light-saber duels in Sith. “George gets stuck sometimes,” said producer Rick McCallum, as if the Star Wars saga were a particularly stubborn patch of lawn. “He never asks for help, but you can feel it when he needs it. With Steven he got encouragement from a directing peer and a good friend.” Meanwhile, Spielberg hired the same pre-viz-effects supervisor sent to him by Lucas to help with his aliens for War of the Worlds, much as you or I might borrow a trowel or Rotavator. “We’ve always helped each other,” said Lucas when approached by the cable network A&E about a documentary detailing the rivalry between the two directors. “[Spielberg] and I have never had an argument in our lives. … I want DreamWorks to succeed. They want me to succeed. And we’re going to help each other succeed.” So, there you have it: just two successful movie titans succeeding, side by side, successfully.

Not just this but a no-harm debate on - Did George Lucas and Steven Spielberg Ruin the Movies?. Don’t miss it.

When Mani Ratnam directs Kamal Haasan, Vikram, Madhavan, Abhishek Bachchan, Vivek, Laila, Sadha, Asin, Pooja among others for an A.R. Rahman musical, with sets created by Sabu Cyril and lit up by Rajiv Menon, on a stage which is 80 feet wide and 40 feet deep, you know it does not get bigger than this, At least, not in this part of the world. With over a hundred dancers around sets such as the train from `Chayya Chayya’ and the ship from `Atho Antha Paravai Pola,’ the latest edition of the `Netru Indru Naalai’ show will be nothing short of a spectacle. On par with what people usually find only in musicals in Broadway and Westend, Mani Ratnam told the media at The Banyan on Tuesday evening. “We have one change to announce. We are positioning it in August to make it a spectacle,” he said.

“We want to make it a special show because it is for a special cause and for special people,” the filmmaker said. “It’s our desire to recreate the magic of the songs over the years. We are looking at the journey of the film industry over the years, from the black and white era to colour to the futuristic sets and sounds of A.R. Rahman. We will hopefully recreate those moments,” Mani Ratnam explained.

“Kamal will do a Sivaji song and a MGR song while Vikram will do a Kamal song and a Rajni song,” Mani Ratnam said, explaining the theme for the musical. “As a part of the audience, I would be more interested in how the stars of today interpret what the stars of yesterday did.’

Adeyappa!! Enjoy Chennaites. Read more of Sudhish Kamat’s article from The Hindu.

I read the same news from New Indian Express too. Is it because of Sudhish or Hindu, the article was more interesting and informative, than New Indian Express, for the kind of filmy news it dealt with. One more reason why I love to read Hindu, anyday.